A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
2026-02-14 13:56 访客_850*** (101.114.201.58)
太有代入感了,结局处理得很有艺术感,看完后劲儿很大。
2026-02-14 12:10 访客_736*** (190.182.118.174)
画面的通透度极好,看着特别清爽,纯路人被封面吸引进来的。
2026-02-14 12:32 访客_974*** (92.15.203.172)
这应该是本年度我刷到过最优质的原创内容了,看完直呼好家伙。
2026-02-14 12:21 访客_402*** (34.7.217.55)
路过支持一下作者,剧情走向完全出乎意料,很有新意。
2026-02-14 09:59 访客_458*** (148.49.161.13)
已经推荐给闺蜜了,关于拉莉萨的细节控表示非常满意。